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Goodwin 2 is relentlessly brutal but in the most pleasing, charming manner, like what I've always imagined being beaten up by Muhammad Ali would feel like: Though your ears are ringing and your solar plexus is sore, you want the fight to keep going, just so you can keep watching him. "Just take a seat, pretty boy," the champ says, reassuringly and somewhat sympathetically. "It’ll be over soon." - Anthony Mariani, Fort Worth Weekly, February 27, 2008 [link]
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My drinking bud and I tossed around names like Cheap Trick and the Foo Fighters, but a more instructive comparison would be with Bob Mould, the depressive, control-obsessed Minneapolitan who created the template for much of Amerindie rock. Indeed, to these feedback-scorched ears, Goodwin's music sounds like the most intelligent collision of aggression and melody since Mould's blasts of love and spleen on Hüsker Du's Warehouse: Songs and Stories and Sugar's Copper Blue.. - Ken Shimamoto, Fort Worth Weekly, August 6, 2003 [link]
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And after this, what's next young Urich?